This is where the written work lives: the nightmares, fragments, questions, poems, strange worlds, and unfinished ideas that refused to stay private.

KC’s writing moves through speculative fiction, horror, faith, grief, humor, survival, identity, and the uneasy space between what a person is and what the world tries to make of them. Recurve began as a nightmare and grew into a violent, philosophical science fiction world of Ferronines, Argentum, altered bodies, broken timelines, and people fighting to remain human after being treated like weapons.

The shorter work carries that same instinct in different forms: poems, reflections, fragments, and stories shaped by memory, pressure, imagination, and the need to make something real from what would otherwise disappear.